In case you missed it, the battle over software supremacy just got a little hotter. Both Emagic and Steinberg have upped the ante in releasing bold new versions of their flagship products, the mega-modified Logic 5.0 and the completely rewritten Cubase SX, respectively. The feud grew even more heated in July when Apple announced it had purchased Emagic, throwing the future of Logic Audio on the PC into question and prompting competitors such as Steinberg and Cakewalk to offer competitive crossgrade deals. And, as if the fire needed stoking, Digidesign is offering the PC crowd the Pro Tools LE/M-Box package. But a funny thing happened on the way to Summer NAMM: Cakewalk, right on the heels of an evangelical 2001 (with Sonar 1.0), surprised everyone with the unveiling of Sonar 2.0 ($479) and Sonar 2.0 XL ($599). On the surface, this unexpected upgrade may appear to be a touched-up rendition of 1.0, but after taking the plunge, I discovered that Sonar’s new tweaks should encourage even more PC users to dive a little deeper into 2.0.

Declick/Decrackle features both Manual and Automatic modes. Automatic mode can look at a whole file, or a selection, and detect and remove clicks and pops. For audio files that have clicks/pops or crackle throughout the file, Automatic mode is the best choice as it will save you a lot of time. The Denoiser module follows the traditional learn–and–process model used by most denoising plug–ins. RX and RX Advanced offer three different algorithms. One works in real time, one can work in real time on some systems, and the third (C) is available only for off–line processing, but offers the highest quality of processing.

Izotope Rx Declick Process Sonar Site Forum. Cakewalk. Companies

Topping the “what’s new” list is an upgrade of Cakewalk’s DXi (DirectX instrument) technology to DXi 2.0, which now features multiple outputs, automatable presets and several “under-the-hood” performance enhancements. Also, the addition of ReWire support makes software integration a reality in Sonar 2.0. You can now route stand-alone software synthesizers like Propellerhead Reason, Rebirth and Cycling ’74 MaxMSP through Sonar’s mixer, or at the very least synchronize playback. The advantages of ReWire’s emergence are many: You can now use DirectX effects, layer MIDI and audio onto existing Reason and Rebirth tunes, or simply patch in your favorite modules like Reason’s drum machine or Rebirth’s 303 synths. Additionally, a recently added down-loadable patch from Cakewalk’s Website allows Sonar to work with Ableton’s Live 1.5.

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Other cool additions to 2.0 include a brand-new Sonar DXi called Cyclone, which has been designed with loop-based production in mind (more on this later). Like 1.0, 2.0 ships with the versatile Dreamstation DXi (now in DXi 2.0 format) and a demo version of Live Update’s Sound Font player DXi called LiveSynth Pro; see www.liveupdate.com. Incidentally, sound fonts are samples that sit in your system’s RAM for instant recall. The upgrade price for Live Update is $51.96, plus shipping and handling for Sonar customers.

Sonar 2.0 also includes dedicated piano-roll-style MIDI editing and a separate drum editor (complete with a flexible drum map editor). Also, an interesting new Brush programming tool (for painting redundant MIDI patterns) and several tweaks to the MIDI programming interface make Sonar 2.0 a little easier on the eyes and mouse. Cakewalk has also improved Sonar’s file-management schemes, which now include a safer and more logical “Sonar Project” format that is sure to aid in storing projects, with their respective audio, MIDI and parameter settings, in a single file folder. In addition, Cakewalk has added the possibility of exporting Groove clips in RIFF, or Acid-compatible format.

And if you’re into knobs, Cakewalk has come up with its own answer to Mackie’s Logic Control surface by building in software support for many of the more popular MIDI/USB controllers on the market, along with the ability to “learn” new controllers as they become available. Currently, Sonar 2.0 is compatible with CM Labs MotorMix, Kenton Control Freak, Keyfax Phat. Boy, JLCooper FaderMaster, Peavey PC-1600, Roland MCR-8 and Tascam’s US-224/US-428. Regrettably, Sonar 2.0 is still not open to VST effects or instruments without the use of a software adapter like DirectiXer (www.tonewise.com) or FXpansion’s VST-DX Adapter 3.2 (www.fxpansion.com/vstadapter.html).

SUBMERGED

Installing Sonar is fairly simple, though you do need to give some thought to how much sample content and additional Cakewalk tutorials, presets, etc., you want taking up space on your hard drive. After keying in the serial number and launching Sonar, the program proceeded to search my system for the soon-to-be-famous WDM drivers. Note: Sonar can use Windows MME drivers, and I personally experienced excellent results with them. But if Sonar is your app, then you should listen to its creator and run WDM. This also means that Windows 98 Gold is basically obsolete, should you commit to Sonar. (See sidebar below.)

UP AND RUNNING

Once I started playing, it was immediately apparent to me that Sonar is flexible. All views and screens are highly customizable and easy to maneuver. And, while Sonar has the ability for notation and video editing, I primarily focused on the audio editing and recording side. The test unit was an 800MHz Athlon processor with 256 MB of RAM and an Audiophile 2496 M-Audio sound card running Windows 2000. As usual, I tried to crash my system by cramming as much as possible into any given project. To my surprise, it took roughly 20 audio tracks (some of them quite large) before I noticed some system slowdown. And only after applying several DX effects and a couple of soft synths did Sonar become sluggish.

WHAT LIES BENEATH

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Sonar has two important distinctions from “the other guys.” For starters, Sonar allows loops to be auditioned or previewed in real time with the rest of the project. If you use Sonic Fou